Robert Heinecken

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Biography

 

Born 1931 in Denver, CO
Died 2006 in Albuquerque, NM

EDUCATION

1959     BA University of California, Los Angeles
1960     MA University of California, Los Angeles

SOLO EXHIBITIONS

2015
Both Sides Now: Robert Heinecken Photograms, Palm Springs Art Museum, Palm Springs, CA
Robert Heinecken: Waking Up in News America
, Museu da Imagem e do Som Sao Paulo, Brazil
Robert Heinecken: Surrealism on TV, Albright-Knox Art Gallery, Buffalo, NY

2014
Robert Heinecken: I Am Involved in Learning to Perceive and Use Light
, Petzel, New York, NY
Robert Heinecken: Lessons in Posing Subjects
, WIELS Contemporary Art Centre, Brussels, Belgium. Travels to: Open Eye Gallery, Liverpool, UK; Fri Art, Freibourg, Switzerland.
Robert Heinecken: Object Matter, Museum of Modern Art, New York, NY; travels to Hammer Museum, Los Angeles, CA

2013
Robert Heinecken: Sensing the Technologic Banzai, Cherry and Martin, Los Angeles, CA
Robert Heinecken: Le Paraphotographe, Musee d'art moderne et contemporain, Geneva, Switzerland

2011
Robert Heinecken: Copywork, Friedrich Petzel, New York, NY
Robert Heinecken: Object Matter, Cherry and Martin, Los Angeles, CA and Marc Selwyn Fine Art, Los Angeles, CA

2008
Robert Heinecken, Marc Selwyn Fine Art, Los Angeles, CA

2007
Robert Heinecken 1932-2006: Sex and Food, a Memorial Exhibition, Museum of Contemporary Photography, Chicago, IL
Image as Object, Andrew Roth Gallery, New York, NY

2006
Robert Heinecken: Magazines, Smart Museum of Art, Chicago, IL
A Fine Experiment: A Tribute to Robert Heinecken, Hammer Museum, Los Angeles, CA

2003
Robert Heinecken: A Material History, The Center for Creative Photography, Tuscon, AZ

2001
Tony Wight Gallery, Chicago, IL


2000
Media Amnesia, Robert Heinecken, Les Recontres, Arles, France

1999
Robert Heinecken Photographist: A 35 Year Retrospective, Museum of Contemporary Art, Chicago, IL; traveled to Los Angeles County Museum of Art, Los Angeles, CA
Robert Heinecken: Editions, Suites, Portfolios, Artist Books, Magazines, Rhona Hoffman Gallery, Chicago, IL

1995
Robert Heinecken: Miscellany, Ezell Gallery, Chicago, IL

1994
Robert Heinecken: Altered Magazines, Linda Cathcart Gallery, Santa Monica, CA

1992
Robert Heinecken: New Work, Fahey/Klein Gallery, Los Angeles, CA
Robert Heinecken: Recent Photograms, Printworks Gallery, Chicago, IL
Robert Heinecken: Recent Work, Pace/Macgill Gallery, New York, NY

1990
Gallery MIN, Tokyo, Japan

1989
Robert Heinecken: A Case Study in Finding an Appropriate TV Newswoman, Gallery 210, University of Missouri, Saint Louis; traveled to Robert Else Gallery, California State University, Sacramento, CA; South Dakota Museum of Art, Brookings, SD
Robert Heinecken: A Retrospective 1962-1989, Pace/Macgill Gallery, New York, NY
Robert Heinecken Selected Works from 1966 to 1989, Sunny-Gate Photography Gallery, Taipei, Taiwan

1988
Robert Heinecken: The Nuclear Family, Vision Gallery, Boston, MA

1987
Robert Heinecken: New Work, Fahey/Klein Gallery, Los Angeles, CA
Robert Heinecken: New Work, Printworks, Chicago, IL
Television / Source / Subject: Photographic Works and Installations by Robert Heinecken, The Art Institute of Chicago, Chicago, IL

1986
Heinecken: Selected Works from 1966-1986, Gallery MIN, Tokyo, Japan
Center for Creative Photography, Unviersity of Arizona, Tuscon, AZ

1983
Works by Robert Heinecken, Film in the Cities, St. Paul, MI
Robert Heinecken: Food, Sex and TV, Fotoforum Kassel, Universitat Kassel, Kassel, Germany

1982
Museum of Art, Rhode Island School of Design, Providence, RI
 
1981
Light Gallery, Los Angeles, CA
Light Gallery, New York, NY
University of Oregon, Eugene, OR

1980
Nova Gallery, Vancouver, Canada
Robert Heinecken: A Selection of Photographic Work from 1960-1980, Fine Arts Gallery, University of Nevada, Las Vegas, NV
Werkstadt fur Fotographi, Berlin, Germany

1979
Forum Stadtpark, Graz, Austria
Light Gallery, New York, NY
Mary Porter Senson Art Gallery, Porter College, University of California, Santa Cruz, CA
Northern Illinois University Art Gallery, De Kalb, IL

1978
University Gallery, Old Dominion University, Norfolk, VA
Susan Spiritus Gallery, Newport Beach, CA

1977
George Eastman House, Rochester, NY; Chicago Center for Contemporary Photography, Columbia College; San Francisco Museum of Modern Art, San Francisco, CA; Wight Art Gallery, UCLA, Los Angeles, CA
Texas Center for Photographic Studies, Dallas, TX

1976
Light Gallery, New York, NY

1974
Madison Art Center, Madison, WI

1973
Fine Arts Gallery, California State College, San Bernardino, CA
Friends of Photography, Carmel, CA
Light Gallery, New York, NY

1972
Robert Heinecken: Photographic Work, Pasadena Art Museum, Pasadena, CA
Pasadena City College Gallery, Pasadena, CA
University of Rhode Island, Kingston, RI

1971
University of Colorado, Boulder, CO
University of Oregon Gallery, Eugene, OR

1970
California State College, Northridge, CA
Phoenix College Gallery, Phoenix, AZ
Witkin Gallery, New York, NY

1969
Thorne Hall Gallery, Occidental College, Los Angeles, CA

1968
Focus Gallery, San Francisco, CA
 
1966
Fine Arts Gallery, California State College, Los Angeles, CA
Mills College Art Gallery, Oakland, CA

1965
Long Beach Museum of Art, Long Beach, CA

1964
Mount St. Mary’s College Fine Arts Gallery, Los Angeles, CA

1960
Art Galleries at the University of California, Los Angeles, CA
 

GROUP EXHIBITIONS

2017
Light Play: Experiments in Photography, 1970 to the Present, Los Angeles Museum of Art, CA
Harry Callahan and Robert Heinecken, Marc Selwyn Fine Art, Los Angeles, CA

2016
Breaking News: Turning the Lens on Mass Media, J. Paul Getty Museum, Los Angeles, CA
Ordinary Pictures, curated by Eric Crosby, Walker Art Center, Minneapolis, MN
Breaking News: Turning the Lens on Mass Media, J. Paul Getty Museum, Los Angeles, CA


2015
Popular Images: John Divola, Robert Heinecken, Larry Johnson, Dan Colen, Karma, Amagansett, NY
Richard Wright: Nine Chains To The Moon
(Chapter 3), BQ, Berlin, Germany

2014
Pop Departures, Seattle Art Museum, Seattle, WA
Collage in American Art Since the 1960s, Honor Fraser, Los Angeles, CA
Burning Down the House, Gwangju Bienniale, Gwangju, Korea
Believable Lie: Photographs by Robert Heinecken, Sigmar Polke and Hans-Peter Feldmann, 1968-1980, Cleveland Museum of Art, Cleveland, OH
PANOPTICUM
, curated by Kevin Moore, Robert Miller, New York, NY

2013
See the Light-Photography, Perception, Cognition: The Marjorie and Leonard Vernon Collection, LACMA, Los Angeles, CA
The Photographic Object 1970, Le Consortium, Dijon, France
The Shaping of New Visions: Photography, Film, Photobook, Museum of Modern Art, New York, NY
The Polaroid Years: Instant Photography and Experimentation, The Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY; travels to Block Museum, Northwestern University, Evanston, IL
Sinister Pop, Whitney Museum of American Art, New York, NY
Color Rush: 75 Years of Color Photography in America, Milwaukee Art Museum, Milwaukee, WI

2012
Only Parts of Us Will Ever Touch Parts of Others, Galerie Thaddaeus Ropac, Paris, France
Recto/Verso, the approach, London, United Kingdom
A Corral around Your Idea, Galerie Jan Mot, Brussels, Belgium
LA RAW: Abject Expressionism in Los Angeles, 1945-1980, From Rico Lebrun to Paul McCarthy, Pasadena Museum of California Art, Pasadena, CA
Real to Real: Photographs from the Traina Collection, De Young Fine Art Museums of San Francisco, San Francisco, CA

2011
MOCA Permanent Collection: Masterworks 1945-1975, Museum of Contemporary Art, Los Angeles, Los Angeles, CA
Under the Big Black Sun: California Art 1974-1981, Museum of Contemporary Art, Los Angeles, Los Angeles, CA
Speaking in Tongues: Wallace Berman and Robert Heinecken, 1961-1976, Armory Center for the Arts, Pasadena, CA; traveled to Center for Creative Photography, Tuscon, AZ
Photography into Sculpture, Cherry and Martin, Los Angeles, CA
Social Media, Pace/MacGill Gallery, New York, NY
Polaroid (Im)possible: Masterpieces of Instant Photography, The WestLicht Collection, Vienna, Austria
Pandora's Box: Joseph Cornell Unlocks the MCA Collection, Museum of Contemporary Art Chicago, Chicago, IL
Speaking in Tongues: The Art of Wallace Berman and Robert Heinecken, Armory Center for the Arts, Pasadena, CA
Pure Photography, Post Production, and Mixed Media, Phoenix Art Museum, Phoenix, AZ
Commodity/Fetish, curated by Nicolás Guagnini, Miguel Abreu Gallery, New York, NY

2010
The Artist’s Museum, Museum of Contemporary Art, Los Angeles, CA
Sunless (Journeys in Alta California since 1933), Thomas Dane Gallery, London, UK
Picture Industry (Goodbye to All That), Regen Projects, Los Angeles, CA
They Have Not The Art to Argue With Pictures, Cherry and Martin, Los Angeles, CA
A Relative Expanse, Renwick Gallery, New York, NY
Starburst: Color Photography in America 1970-1980, Cincinnati Art Museum, Cincinnati, OH; traveled to Princeton University Art Museum, Princeton, NJ
In Numbers: Serial Publications by Artists since 1955, X Initiative, New York, NY
So Be It: Interventions in Printed Matter, Andrew Roth Gallery, New York, NY


2009
The Private Collection of Fern M. Schad, Rick Wester Fine Art, New York, NY
Fashion Room: Photography from the F.C. Gundlach Collection, Museum für Angewandte Kunst, Frankfurt am Main
Phot(o)bjects, curated by Bob Nickas, Presentation House Gallery, Vancouver, Canada
USA Today, Museum of Contemporary Art, Chicago, IL
This Side of Paradise: Los Angeles, 1865 – 2008, Musée de I’Elysée, Lausanne

2008
Photography on Photography: Reflections on the Medium since 1960, Metropolitan Museum of Art, New York, NY
Making a Photograph: Iconic Images and their Origins, Center for Creative Photography, University of New Mexico, Tucson, AZ
A Mind at Play, The Art Institute of Chicago, Chicago, IL

2007
Beauty and Blonde, Mildred Lane Kemper Art Museum, Washington University, St. Louis, MO
Die zweite Avantgarde, Stiftung Moritzburg, Halle
Kamera los das fotogramm, Museum der Moderne, Salzburg
Le Mouvement des Images, Centre Georges Pompidou, Paris, France
Sam Durant, Robert Heinecken, Cady Noland, and Richard Prince, Rowley Kennerk Gallery, Chicago, IL

2006
A Curator’s Eye: The Legacy of Robert A. Sobieszek, Los Angeles County Museum of Art, Los Angeles, CA
Los Angeles: 1955 – 1985, The Birth of an Art Capital, Centre Georges Pompidou, Paris, France

2005
D’une image qui ne serait pas du semblant – La Photographie ecrite, 1950 – 2005, Passage de Retz, Paris, France
Boxed Set – Portfolios of the Seventies, Center for Creative Photography, University of New Mexico, Tucson, NM

2004
Festival of Contemporary Images, Printemps du Septembre, Toulouse, and Les AbbatoirsFRAC Midi-Pyrénées, Toulouse
Pieced Together: Photomontage from the Collection, The Art Institute of Chicago, Chicago, IL
In the Center of Things: A Tribute to Harold Jones, Center for Creative Photography, University of New Mexico, Tucson, NM

2003
Pictures from Within: American Photographs, 1958 – 2003, Whitney Museum of American Art, New York, NY
Some Assembly Required – Collage Culture in Post-War America, Polk Museum of Art, Lakeland, FL
Museum of Contemporary Art, Madison, WI

2002
Robert Heinecken, Robert Rauschenberg, Pace/MacGill Gallery, New York , NY
Performative Images, Smart Museum of Art, University of Chicago, Chicago, IL
Das zweite Gesicht: Metamorphosen des fotografischen Porträts, Deutsches Museum, Münich, Germany

1999
Apposite Opposites: Photography from the MCA Collection, Museum of Contemporary Art, Chicago, IL
Beyond the Photographic Frame, The Art Institute of Chicago, Chicago, IL
Bodies of Work: Series and Obsessions, The Center for Creative Photography, University of Arizona, Tuscon, AZ
Looking into the Collection: Celebrity, The Center for Creative Photography, University of Arizona, Tuscon, AZ
Radical PAST: Contemporary Art in Pasadena, 1960-1974, Norton Simon Museum, Pasadena, CA

1998
John Baldesarri, Robert Heinecken, Ed Ruscha, Pace MacGill Gallery, New York, NY
Alternating Currents: American Art in the Age of Technology, Selections from the Permanent Collection of the Whitney Museum, San Jose Museum of Art, San Jose, CA
Collaborations 1998, Printworks Gallery, Chicago, IL
The Constructed Self: Who Do You Think You Are?, TBA Exhibition Space, Chicago, IL
Digital Frontiers: Photography’s Future at Nash Editions, George Eastman House, Rochester, NY
From Head to Toe: Concepts of the Body in Twentieth-Century Art, Los Angeles County Museum of Art, Los Angeles, CA
Metamorphosis: Photography in the Electronic Age, Ackland Art Museum, Chapel Hill, NC
Photo Image: Printmaking 60s to 90s, Museum of Fine Arts, Boston, PA; Baltimore Museum of Art, Baltimore, MD
Photography at Princeton: Celebrating Twenty-Five Years of Collecting and Teaching the History of Photography, The Art Museum, Princeton University, Princeton, NJ
Photography’s Multiple Roles, The Museum of Contemporary Photography, Columbia College, Chicago, IL
Pioneers in Digital Photography, Open Space Gallery, Allentown, PA
 
1997
Beyond Seeing: American Photography in the Twentieth Century, Colorado Springs Fine Art Center, Colorado Springs, CO
L’Empreime (The Imprint), Musee National d’Art Moderne, Centre Georges Pompidou, Paris, France
New Realities: Hand-Painted Photographs: 1839 to the Present, University of Wyoming Art Museum, Laramie, WY, Boise Art Museum, Boise, ID, James A. Michener Museum of Art, Doylestown, PA, De Cordova Museum and Sculpture Park, Lincoln, MA, Yellowstone Art Museum, Billings, MT
Picture This, Virginia Museum of Art, Richmond, VA
Selections from the Permanent Collection: Self-Portrait, The Center for Creative Photography, University of Arizona, Tuscon, AZ

1996
American Masters of Photography: A One-Hundred-Year Survey, Southern Allegheny Museum of Art, Loretto, PA
Art in Chicago, 1945-1995, Museum of Contemporary Art, Chicago, IL
A Celebration of Twenty-Five Years of Light Gallery, International Center of Photography, New York, NY
Graham Nash’s Greatest Hits, The Photographers’ Gallery, London, UK
Illinois Photographers in the Nineties: The Midwest Photographers Project, Museum of Contemporary Photography, Columbia College, Chicago, IL
Nash Editions, Digital Photography, Butler Institute of American Art, Youngstown, OH
The Seventies: Photography in the Service of Ideas, PaceWildensteinMacgill Gallery, New York, NY
Truths and Trials: Color Photography Since 1975, Minneapolis Institute of Art, Minneapolis, MN
 
1995
The Body Photographic, Contemporary Arts Center, New Orleans, LA
Harvard Art Museum: 100 Years of Collecting, Harvard University, Cambridge, MA
Luz y Tiempo, Foundation of Cultural Television, Mexico City, Mexico
Metamorphosis: Photography in the Electronic Age, Blaffer Gallery, University of Houston; Tampa  Museum of Art, Tampa, FL
Philadelphia Museum of Art, Phildalphia, PA
San Jose Museum of Art, San Jose, CA
Moholy-Nagy and Present Company, The Art Institute of Chicago, Chicago, IL
Picturing Modernity: Photographs from the Permanent Collection, San Francisco Museum of Modern Art, San Francisco, CA
Twentieth-Century Photography, Museum Ludwig, Cologne, Germany
What Photographs Look Like, The Art Museum, Princeton University, Princeton, NJ
 
1994
After Art: Rethinking 150 Years of Photography, Selections from the Joseph and Elaine Monson Collection, Henry Art Gallery University of Washington, Seattle, WA
The Camera I, Self Portraits from the Audrey and Sydney Irmas Collection, Los Angeles County Museum of Art, Los Angeles, CA
Experimental Visions: The Evolution of the Photogram Since 1919, Denver Art Museum, Denver, CO
Forecast: Shifts in Direction, Museum of Fine Arts, Santa Fe, NM
Lessons in Life: Photographic Works from the Boardroom Collection, The Art Institute of Chicago, Chicago, IL
Metamorphosis: Photography in the Electronic Age, Blaffer Gallery, University of Houston
Tampa Museum of Art, Tampa, FL; Philadelphia Museum of Art, Phildalphia, PA; San Jose Museum of Art, San Jose, CA
New Acquisitions / New Work / New Directions 2: Photography from the Collection, Los Angeles County Museum of Art, Los Angeles, CA
Permanent Collection Exhibition, Newport Harbor Art Museum, Newport Beach, CA
Recent Acquisitions, University Art Museum, The University of New Mexico, Albuquerque, NM
Selections from the Permanent Collection: Fictions, The Center for Creative Photography, University of Arizona, Tuscon, AZ
 
1993
First Annual Group Show, Gallery 954
Chicago
First Sightings: Recent Modern and Contemporary Acquisitions, Denver Art Museum
Denver
Masquerade, Los Angeles County Museum of Art, Los Angeles, CA
The Mediated Image: American Photography in the Age of Information, University Art Museum, University of New Mexico, Albuquerque, NM
Multiple Images: Photographs since 1965 from the Collection, Museum of Modern Art, New York
, NY
The Photographers Who Opened the Age: 1960’s-1970’s, Tokyo Metropolitan Museum of Photography, Tokyo, Japan
Proof: Los Angeles Art and the Photograph, 1960 – 1980, Laguna Art Museum, Laguna Beach, CA (Traveled to: De Cordova Museum and Sculpture Park, Lincoln; Friends of Photography, Ansel Adams Center, San Francisco; Montgomery Museum of Fine Arts, Montgomery; Tampa Museum of Art, Tampa; Des Moines Art Center, Des Moines)
Recent Acquisitions, Museum of Modern Art, New York, NY

Selections from the Permanent Collection: Image and Text, Center for Creative Photography, University of Arizona, Tucson
, AZ
Der Traum vom Fleigen, Fototage Exposition, Airport Gallery, Flughafen Frankfurt am Main, Frankfurt am Main

1992
La Collection Photographique de la Fondation van Gogh,Arles

Confrontations and Dialogues: The Figure in Photography, Norton Simon Museum of Art, Pasadena
, CA
Figure/Form: The Nude in Twentieth-Century Photography, Jan Kesner Gallery, Los Angeles, CA
Fotografica ’92, Breda, The Netherlands
Notes from the Material World: Contemporary Photo Montage, John Michael Kohler Arts Center, Sheboyan

Permanent Collection Installation, Edward Steichen Photography Center, Museum of Modern Art, New York
, NY
Photographic Book Art in the United States, Fine Arts Gallery, Texas Women’s University, Denton, TX
Seriously Sexual, B.C. Space, Laguna Beach
, CA
Special Collections: The Photographic Order from Pop to Now, International Center of Photography, New York and Friends of Photography, Ansel Adams Center, San Francisco
, CA
Voyeurism, Jane Baum Gallery, New York, NY

1991
American Photography Since 1920: From the Collection of the Center for Creative Photography, University of Arizona, Tucson, AZ (Traveled to: Fundación Caja des Pensiones, Madrid)

Cleveland Museum of Art, Cleveland, OH
Contemporary Photography: Images Don’t Lie, Evanston Art Center, Evanston Past/Present: Photographs from the Collection of the Museum of Fine Arts, Houston, TX

Picture Plane to Object: Photographic Reality to Photographic Experience, Brea Civic and Cultural Center, Brea, CA
A Portrait is Not a Likeness, Center for Creative Photography, University of Arizona, Tucson

Spheres of Influence: Teacher/Student Relations in American Photography Since 1945, Center for Creative Photography, University of New Mexico, Tucson, CA
Thirty-Five Years of Acquisitions, The Grunwald Center for the Graphic Arts, Wight Art Gallery, University of California, Los Angeles, CA
Tappan Collection, International Center of Photography, New York
, NY
With the Media, Against the Media, Long Beach Museum of Art, Long Beach, CA

1990
Amb Els “Media,” Contra “Media,” Sala Arcs Fundació Caixa Barcelona, Primavera Fotografica 1990, Barcelona, Spain
Anwesenheit bei Abwesenheit: Das Fotogram in die kunst im 20 Jahrhundert, Kunsthaus Zürich, Zürich
, Switzerland
Engaging Transformations: Experimental Photography of the Sixties, Harnet Gallery, University of Rochester, Rochester, NY
Pace/MacGill Gallery, New York, NY
The Indomitable Spirit, International Center of Photography, New York and Los Angeles Municipal Art Gallery

Learn to Read Art: Artists’ Books, Art Gallery of Hamilton, Hamilton
, Canada
New Mexico Collects, Museum of Fine Arts, Santa Fe
, NM
Permanent Collection Installation, Edward Steichen Photography Center, Museum of Modern Art, New York
, NY
Photography Until Now, Museum of Modern Art, New York
, NY
Street Engagements: Social Landscape, Photography of the Sixties, George Eastman House, Rochester
, NY
Thirty Years After “The Americans,” 1959 – 1990, Museum of Contemporary Photography, Columbia College, Chicago, IL
VARI Studios: Recent Collaborations, Northlight Gallery, Arizona State University, Tempe, AZ

1989
Acceptable Entertainment, Los Angeles Municipal Art Gallery at Barnsdall Park, Los Angeles, CA
California Photography: Remaking Make-Believe, Museum of Modern Art, New York, NY
Capturing an Image: Collecting 150 Years of Photography, Museum of Fine Arts, Boston, MA and the Fogg Museum of Art, Harvard University, Cambridge, MA
Decade by Decade: Twentieth-Century American Photography, Center for Creative Photography, University of Arizona, Tucson, AZ
Fifty-Four Master Photographers of 1960 – 1979; 150 Years of Photography, Photographic Society of Japan and the Toppan Corporation, Tokyo
, Japan
A History of Photography from California Collections, San Francisco Museum of Modern Art, San Francisco, CA
Image: TV, College of DuPage Arts Center Gallery, Glen Ellyn, CA
Image World: Art and Media Culture, Whitney Museum of American Art, New York, NY
Invention and Continuity in Contemporary Photographs, The Metropolitan Museum of Art, New York, NY
Lies and More Lies: The Photography of Representation, Contemporary Arts Center, New Orleans, LA
Media Talk, Security Pacific Gallery, Costa Mesa, CA
Nature and Culture: Conflict and Reconciliation in Contemporary Photography, Friends of Photography, San Francisco, CA

New Acquisitions – New York – New Directions, George Eastman House, Rochester
, NY
New Photographs by Old Friends, Oregon School of Arts and Crafts, Portland
, OR
On the Art of Fixing a Shadow: One Hundred and Fifty Years of Photography, National Gallery of Art, Smithsonian Institution, Washington, D.C. (Traveled to: The Art Institute of Chicago, Chicago, IL; the Los Angeles County Museum of Art, Los Angeles, CA)

150 Years of Photography, Toppan Collection, Tokyo Metropolitan Museum of Art , Tokyo
, Japan
One Hundred Years of Photography: What is Photography? Manes Gallery, Svac Cèskych, Prague

Photographs from the Permanent Collection, Newport Harbor Art Museum, Newport Beach
, CA
Photography Expanded, G.H. Dalsheimer Gallery, Baltimore, MD
Photography Illinois, State of Illinois Art Gallery, Chicago, IL (Traveled to: Illinois State Museum, Springfield, IL)
Photography is Dead, Fine Arts Gallery, University of Colorado, Boulder, CO
Photomontage/Photocollage: The Changing Picture 1920 – 1989, Jan Turner Gallery, Los Angeles
, CA
That Was Then – This Is Now, Museum of Photographic Arts, San Diego, CA
Unconventional Perspectives, G. Ray Hawkins Gallery, Los Angeles, CA


1988
Acceptable Entertainment, Alberta College of Art Gallery, Calgary
, Canada
Active Process: Artists’ Books, Photographic and Contemporary, Gallery TPW, Toronto
, Canada
Assemblage Art: A Poetic Transformation, Brea Civic and Culture Center, Brea Evocative, CA Presence: Twentieth-Century Photographs in the Permanent Collection, Museum of Fine Arts, Houston
, TX
Fabrications: Staged, Altered and Appropriated Photographs, Sert Gallery, Carpenter Center for the Visual Arts, Harvard University, Cambridge
, MA
Hybrid Images, Rena Bransten Gallery, San Francisco, CA

John Baldessari / Robert Heinecken / Ed Ruscha, Pace/MacGill Gallery, New York, NY
Lost and Found in California: Four Decades of Assemblage Art, G. Ray Hawkins Gallery, Los Angeles, CA
Mixed Signals: Photographs with Text, Northlight Gallery, Arizona State University, Tempe, AZ
New Photographics Invitational, Blue Sky Gallery, Oregon Center for the Photographic Arts, Portland, OR (Traveled to: Sarah Spurgeon Gallery, Central Washington University, Ellensburg
Under Construction: New Photomontage, Cranbrook Academy of Art Museum, Bloomfield Hills)
Viewpoints: An Exhibition from the Permanent Collection, Museum of Photographic Arts, San Diego
, CA
Visual Satire: Artists’ Books, Florida State University Fine Arts Gallery, Tallahassee, FL

1987
Active Process: Artists’ Books, Photographic and Contemporary, Presentation House Gallery, Vancouver, Canada (Traveled to: Gallery TPW, Toronto, Canada)
A Collection Revisited, The Chrysler Museum, Norfolk
, VA
Extending the Boundaries, Center for Creative Photography, University of Arizona, Tucson
, AZ
Faces, Inaugural Exhibition in the New Twentieth-Century Wing, The Metropolitan Museum of Art, New York, NY
Fotogramme: 1918 bis heute, Goethe Institut, Münich, Germany
Illuminated Manuscript: Photography and Text, Cornish College of the Arts, Seattle, WA
L.A. Hot and Cool: Temperaments and Traditions, M.I.T. List Visual Arts Center, Cambridge, MA
Photographs from the Last Decade, San Francisco Museum of Modern Art, San Francisco
, CA
Photographs in the Collection of the National Museum of Modern Art, Museum of Modern Art, Kyoto
, Japan
Photography and Art: Interactions Since 1946, Los Angeles County Museum of Art, Los Angeles
, CA
Thirty from Twenty-Five, Sheppard Fine Arts Gallery, University of Nevada, NV
Reno Twentieth Anniversary Exhibition Part I, Friends of Photography, Carmel, CA

1986
Black and White and Color II, Diverse Works, Houston, TX
California Matters, Herbert Palmer Gallery, Los Angeles, CA
Collaborations: The Energy of Shared Art Experience, Paper Press, Chicago, IL
Crosscurrents II: Recent Additions to the Collection, San Francisco Museum of Modern Art, San Francisco, CA
Das Akfoto 1840 – 1985, The Müncher Stadt Museum, Münich
, Germany
Exhibition I: Contemporary American Photography, Gallery MIN, Tokyo
, Japan
Stills: Cinema and Video Transformed, Seattle Art Museum, Seattle, WA

Teaching Artists: The U.C.L.A. Faculty of Art and Design, Wight Gallery, University of California, Los Angeles, CA

1985
American Images: Photographs from 1945 to 1980, Barbican Art Gallery, London, England
Extending the Perimeters of Twentieth-Century Photography, San Francisco Museum of Modern Art, San Francisco, CA
Fifteen Photographers We Like, Cleveland Institute of Art, Cleveland, OH
The Figure: Transformed by Technology, Irvine Fine Arts Center, Irvine, CA
Images of Excellence, George Eastman House, Rochester
, NY
Imagine There’s a Future, Atlier Gallery, University of Southern California, Los Angeles, CA
Naked, Boulder Center for the Visual Arts, Boulder
, CA
No Shadows: Recent Photographic Self-Portraiture, Laurence Miller Gallery, New York, NY
Permanent Collection, Newport Harbor Art Museum, Newport Beach, CA
Photograms, John Michael Kohler Arts Center, Sheboyan, WI
Portraits of Artists/Faces Photographed, San Francisco Museum of Modern Art, San Francisco
, CA
Taking Back the Media, Aorta Gallery, Amsterdam

1984
The Alternative Image II, John Michael Kohler Arts Center, Sheboyan
, WI
American Photography Today 1984, Boulder Center for the Visual Arts, Boulder, CO
Contemporary Constructs: 20 Los Angeles Photographers, Otis Parsons Gallery, Los Angeles, CA and Amsterdam
In Search of an Honest Photograph, Department of Art Teaching Gallery, University Art Museum, University of New Mexico, Albuquerque
, NM
Inaugural Installation of the Edward Steichen Permanent Collection Gallery, Museum of Modern Art, New York, NY
Newspeak, B.C. Space, Laguna Beach, CA
Out of Context, Mary Porter Sesnon Art Gallery, Porter College, University of California, Santa Cruz
, CA
Photographic Alternatives: Works by Contemporary American Photographers, Hong Kong Arts Centre, Hong Kong, China
Photography in California: 1945 – 1980, San Francisco Museum of Modern Art, San Francisco
, CA
Points of View: Contemporary Photographers, Maryland Institute College of Art, Baltimore, MD 

Selections 2, Photo Kino, Cologne, Germany (Traveled to: Museum of Contemporary Photography, Columbia College, Chicago, IL; Museum of Art and History, Frieburg, Germany)
Sex-Specific: Photographic Investigations in Contemporary Sexuality, Maryland Institute College of Art, Baltimore, MD
Twelve on 20 x 24, Museum School Gallery, School of the Museum of Fine Arts, Boston, MA


1983
Acquisitions: Newport Harbor Art Museum, Newport Beach The Big Picture, Museum of Photographic Arts, San Diego, CA
Big Pictures by Contemporary Photographers, Museum of Modern Art, New York, NY
Fotogramme – die lichtreichen Schatten, City Museum, Münich, Germany
Jo Ann Callis, Eileen Cowin, Robert Heinecken, Rio Hondo College Art Gallery, Whittier, CA
Lensless Photography, The Franklin Institute Science Museum, Philadelphia, PA
Looking at Women, Artemisia Gallery, Chicago, IL
Particulars: Selections from the Miller-Plummer Collection of Photography, George Eastman House, Rochester, NY
Political Photography, Stockton State College Art Gallery, Pomona, CA
Self as Subject: Visual Diaries by Fourteen Photographers, University Art Museum, University of New Mexico, Albuquerque, NM

1982
Altered States, University of Illinois Photography Cooperative, Urbana-Champagne, IL
The Alternative Image: An Aesthetic and Technical Exploration of Nonconventional Photographic Printing Processes, John Michael Kohler Arts Center, Sheboyan, WI (Traveled to: Emmanuel Gallery of Art, University of Colorado, Denver, CO)
American Photography Today, Emmanuel Gallery of Art, University of Colorado, Denver, CO

Art 1982 – Chicago Navy Pier, Young-Hoffman Gallery, Chicago
, IL
California Photography, Museum of Art, Rhode Island School of Design, Providence, RI
Color as Form: A History of Color Photography, George Eastman House, Rochester, New York
New York: Nineteenth to Twentieth Century Photography, Seibu Department Store Gallery, Tokyo, Japan
Photo Recycling: Photo oder die Fotografie im Zeitalter ihrer technischen Reproduziebarkeit, Fotoforum Universität, Kassel
, Germany
Photography in Color, Stockton State College Art Gallery, Pomona, CA
Repeated Exposure: Photographic Imagery in the Print Media, Nelson-Atkins Museum of Art, Kansas City, KS
Target III: In Sequence, Museum of Fine Arts, Houston, TX

Ten Photographers, Art Gallery, Pierce College, Woodland Hills
, CA
Visions of Reality, Color Photography: A Contemporary Art, Goddard-Riverside Community Center, Riverside, CA


1981
Acquisitions: 1970 – 1980, George Eastman House, Rochester, NY
Altered Images, Center for Creative Photography, University of New Mexico, Tucson, NM
Color and Color Photographs, San Francisco Museum of Modern Art, San Francisco

Contemporary Hand-Colored Photography, De Saisset Museum, Santa Clara University, Santa Clara
, CA
Libres d’Artista/Artists’ Books, El Centre de Documentario d’Art Actual, Metronom, Barcelona
, Spain
Light’s Tenth Anniversary/Photographer’s Selections, Light Gallery, New York
, NY
A Look at the Boundaries: Fourteen California Photographers, Memorial Union Art Gallery, University of California, Davis, CA
Master Photographers: A Sentimental Celebration, Focus gallery, San Francisco, CA
New Directions: A Corporate Collection, Sidney Janis Gallery, New York
, NY
Photo Facts and Opinions, Addison Gallery of American Art, Phillips Academy, Andover
, MA
Violence, A Photographic Exhibition, Cameravision Gallery, Los Angeles, CA

1980
American Photographs 1970 – 1980, Whatcome Museum of History and Art, Bellingham, WA
The Magical Eye: Definitions of Photography, National Gallery of Canada, Ottawa, Canada
NEA Purchase Award Artists, Center for Creative Photography, University of Arizona, Tucson, AZ
Photographs, Young-Hoffman Gallery, Chicago, IL
Photography: Recent Directions, De Cordova Museum and Sculpture Park, Lincoln Silver Interactions, University of South Florida Art Galleries, Tampa, FL
Six Photographers, Boulder Center for the Visual Arts, Boulder, CO
Southern California Photography: 1900 – 1965, The Photography Museum, Los Angeles, CA
Vis à Vis and Photography, The Art Institute of Boston Main Gallery, Boston, MA

1979
Alternative Images, Evanston Museum of Art, Syracuse
, NY
American Photography of the Seventies, The Art Institute of Chicago, Chicago, IL
Approaches in Photography: A Historical Survey, Amarillo Art Center, Amarillo, TX
Attitudes: Photography in the Seventies, Santa Barbara Museum of Art, Santa Barbara

Benefit Auction Exhibition, Cameravision Gallery, Los Angeles, CA

Color: An Invitational Photography Exhibition, MoMing Gallery, Chicago
, IL
Cultural Artifacts, Fine Arts Gallery, Florida School of the Arts, Palaka
, FL
Domestic Scenes, In a Plain Brown Wrapper Gallery, Chicago, IL
Electroworks, George Eastman House, Rochester
, NY
The Hand-Colored Photograph, Philadelphia College of Art, Philadelphia
, PA
New Acquisitions: Photographs from the Collection of the Center for Creative Photography, University of Arizona, Tucson
, AZ
Photographic Directions: Los Angeles, 1979, Security Pacific National Bank Gallery, Los Angeles
, CA
Translations: Photographic Images with New Forms, Herbert F. Johnson Museum of Art, Cornell University, Ithaca
, NY
Venezia ’79 – La Fotografia, Contemporary American Photographs, Venice, Italy


1978
Arkansas Art Center, Little Rock, AR
The Art of Offset Printing, The School of the Art Institute of Chicago Gallery, Chicago
, IL
Art Words/Book Works, Los Angeles Institute of Contemporary Art, Los Angeles, CA Contemporary California Photography/A Three Part Exhibition, San Francisco Camerawork, San Francisco
, CA
Eros and Photography, San Francisco Camerawork, San Francisco, NY
Forty American Photographers, E.B. Crocker Art Gallery, Sacramento
, CA
Mirrors and Windows: American Photography Since 1960, Museum of Modern Art, New York, NY (Traveled to: Cleveland Museum of Art, Cleveland, OH; Walker Art Center, Minneapolis, MN; The Speed Art Museum, Louisville, KY; San Francisco Museum of Modern Art, San Francisco, CA; Krannert Art Museum, University of Illinois, Champaign, IL; Virginia Museum of Fine Arts, Richmond, VA; Milwaukee Art Center, Milwaukee, WI)

New York, New York, Light Gallery, New York, NY
Photographers: Twenty-Three Directions, Kirklands International Photography Walker Art Gallery, Liverpool, England (Traveled to: Lake Placid School of Art, Lake Placid, NY)
Photography ’78, Colby Community College, Colby, KS

1977
The Great West: Real/Ideal, University of Colorado Art Gallery, Boulder, CO
Image Makers: An Introduction, Silver Image Gallery, Seattle, WA
Language and Image: Photo Linguistics, Contemporary Graphics Center, Santa Barbara Museum of Art, Santa Barbara
, CA
National Print, Drawing and Photography Exhibition, 2nd Street Gallery, Charlottesville, VA
A Photographic Celebration, Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE
Photography as a Means, Boehm Gallery, Palomar College, San Marcos, CA
Photography: Four Stylistic Approaches, Katonah Gallery, Katonah, NY
Photography into Painting, Silver Image Gallery, Seattle
, WA
Pix: Five Photographers, DeAnza College, Cupertino, CA
Sequential 77, Harkness House, New York, NY
Silver See, Los Angeles Institute of Contemporary Art, Los Angeles
, CA
Southern California 100, Laguna Beach Museum of Art, Laguna Beach
, CA
A Survey of Contemporary Photography, Cranbrook Academy of Art Museum, Bloomfield Hills

The Target Collection of Contemporary Photography, Museum of Fine Arts, Houston, TX (Traveled to: Heckscher Museum of Art, Huntington, NY )

1976
Aspects of American Photography 1976, Gallery 210, University of Missouri, St. Louis, MI
Contemporary American Photographers, Wight Art Gallery, University of California, Los Angeles
, CA
Contemporary Photographic Arts Invitational Exhibition, Rio Hondo College Art Gallery, Whittier, CA
Contemporary Trends: Bernhard, Crane, Dater, Gibson, Gowin, Heinecken, Hosoe, Metzker, Siskind, Walker, Welpott, White, Columbia College Gallery, Chicago, IL
Exposing: Photographic Definitions, Los Angeles Institute of Contemporary Art, Los Angeles, CA
First Photographic Invitational Exhibit, Reno Church Fine Arts Gallery, University of Nevada, Reno
, NV
Hybrid Vigor, Oakland Museum of California, Oakland
, CA
One Eye Open, One Eye Closed – Three Photographers Look at the Nude: E.J. Bellocq, Robert Heinecken and Les Krims, Alberta College of Art Gallery, Calgary, Canada
100 Master Photographers, Cleveland Museum of Art, Cleveland, OH (from the collection of the Museum of Modern Art, New York, NY)
Photographic Process as Medium, Rutgers University Art Gallery, New Brunswick, NJ
Photography for Collectors, Art Lending Service, Museum of Modern Art, New York, NY
Photo/Synthesis, Herbert F. Johnson Museum of Art. Cornell University, Ithaca
A Temporary Possession: The Human Image in Twentieth-Century Photography, Museum of Art, Washington State University, Pullman, WA
Tenth Anniversary Exhibition, Focus Gallery, San Francisco
, CA
Underware, The School of The Art Institute of Chicago Gallery, Chicago, IL


1975
California Invitational Photography, Cypress College Art Gallery, Cypress Colors, Florida State University Art Gallery, Tallahassee, FL
Eighteen Faculty Artists, Wight Art Gallery, University of California, Los Angeles, CA
Erotica, Lamkin Camera Work Gallery, Fairfield, CA

First Annual All-California Photography Show, Laguna Beach Museum of Art, Laguna Beach, CA
History Transformed, Orange Coast College Art Gallery, Costa Mesa, CA (Traveled to: the Friends of Photography Gallery, Carmel, CA)
National Photography Invitational, Anderson Gallery, Virginia Commonwealth University, Richmond, VA
New American Graphics, Madison Art Center, Madison, WI 

New Directions in Photography, Northeastern University Art Museum, Boston, MA
Photography – A Sense of Timing, University of Hartford Art Museum, Hartford
, CT
A Photography Show, Bradley University School of Art, Peoria, IL
Pierce College Art Gallery, Woodland Hills
, CA
Repeated Images, Slocum Gallery, East Tennessee State University, Johnson City, TN
Silver 70’s, University of Oregon Museum of Art, Eugene, OR
Third Annual Southern California Print and Drawing Exhibition, Santa Monica College Art Gallery, Santa Monica, CA
, (Traveled to: University of Alabama Art Gallery, Tuscaloosa, AL
, University of Tennessee Art Gallery, Knoxville, TN)

1974
Artists’ Books, Moore College of Art, Philadelphia, PA (Traveled to: University of California Art Museum, Berkeley, CA)
Directions ’74, Focus Gallery, San Francisco
, CA
The Fine Art of Food, Lang Art Gallery, Scripps College, Claremont
, CA
First Light, Focus Gallery, San Francisco, CA

Hand-Colored Photographs, Ohio Silver Gallery, Los Angeles
, CA
Language of Light, University of Kansas Museum of Art, Lawrence
, KS
New Images in Photography/Object and Illusion, Lowe Art Museum, University of Miami, Coral Gables
, FL
Photography ’74 – Added Dimensions, Los Angeles County Museum of Art Rental and Sales Gallery, Los Angeles
, CA
Photography in America, Whitney Museum of American Art, New York, NY
Photography Unlimited, Fogg Art Museum, Harvard University, Cambridge, MA
Rip-Off Exhibition, Visual Studies Workshop, Rochester, NY
Ten American Photographers, The Photographer’s Gallery, London, England

1973
Acquisitions 1970 – 1973, George Eastman House, Rochester, NY
Concrete Media, University of Nevada, Las Vegas, NV
Contemporary Photographs, The Art Museum, Princeton University, Princeton, NJ (Traveled to: Photogenesis Gallery, Columbus, OH; Worcester Art Museum, Worcester, MA )
Emulsion ’73, Civic Arts Gallery, Walnut Creek, CA
k
Ideas and Images, Everson Museum of Art, Syracuse, NY
Light and Lens, Hudson River Museum, Yonkers
, NY
Light and Substance, University Art Museum, University of New Mexico, Albuquerque, NM (Traveled to: Montgomery Gallery, Pomona College, Claremont, CA)
Magic Machines, University of California Extension Center Gallery, San Francisco, CA
Minor White, Robert Heinecken and Robert Cumming: Photograph as Metaphor/Photograph as Object/Photograph as Document of Concept, Fine Arts Gallery, California State University, Long Beach, CA
New Photographs ’73, Central Washington State College, Ellensburg, WA
Permanent Photography Collection, Pasadena Museum of Modern Art, Pasadena Photo Phantasists, Florida State University Art Gallery, Tallahassee
, FL
Photography into Art, Camden Arts Centre, London
, England
Recent Acquisitions, Fogg Art Museum, Harvard University, Cambridge, MA
Selections from the Permanent Collection – Photography, Pasadena Museum of Modern Art, Pasadena, CA
24 from L.A., San Francisco Museum of Modern Art, San Francisco, CA


1972
College of Liberal Arts Galleries, Northeast Louisiana University, Monroe Curran/Heinecken/McMillan, Orlando Gallery, Encino
Los Angeles County Museum of Art Rental and Sales Gallery, Los Angeles
Painting and Photography/Something in Common, Philadelphia Museum of Art, Philadelphia, PA
The Photographer as Musician, Memorial Union Art Gallery, University of California, Davis, CA
Photographics ’72, Central Washington State College, Ellensburg, WA

Photography Invitational, University of Nebraska, Lincoln
, NE
Transparency ’72, University of California Extension Center Gallery, San Francisco, CA
Unique/Multiple: Sculpture/Photographs, Museum of Modern Art, New York, NY

1971
Critic’s Choice, Humbolt State College, Arcata
, CA
Eight Painters/Printmakers, Grunewald Graphic Arts Foundation, University of California, Los Angeles, CA
Eight Photographers, University of Florida, Gainesville
, FL
Extension to Museum Collection, Museum of Modern Art, New York, NY

Fifteen Photographers, Pensacola Junior College, Pensacola, FL
Graphic/Photographic, California State College, Fullerton, CA
Imageworks, Cambridge, MA
The Multiple Image, Massachusetts Institute of Technology (MIT) Creative Photography Gallery, Cambridge, MA (Traveled to: University of Rhode Island, Kingston, RI)
New Photographics 1971, Central Washington State College, Ellensburg, WA
Photo Genics, College of Marin, Kentfield
, CA
Photo Media, California State College, San Diego, CA
Photo Media, Museum of Contemporary Crafts, New York, NY
Photography Invitational 1971, Arkansas Arts Center, Little Rock, AR (Traveled to: University of Arkansas Arts Center Gallery, Fayetteville, AR)

The Second Sex, Museum of Modern Art, New York
, NY
Twenty-Second National Exhibition of Prints, Library of Congress, Washington D.C.
University of Nevada, Las Vegas, NV

1970
American Arts Documentation Center, Exeter University, Exeter, United Kingdom
The Arrested Image, Oakland Museum of California, Oakland, CA
Artist/Photographer – Photographer/Artist, Bloomfield Art Association, Birmingham California Photographers 1970, Memorial Union Art Gallery, University of California, Davis
, CA
Continuum, Downey Museum of Art, Downey, CA
Into the Seventies, Akron Art Institute, Akron, OH
Latent Image Gallery, Houston, TX
NuVues, Orlando Gallery, Encino
, CA
Photography into Sculpture, Museum of Modern Art, New York, NY
Photography 70, Transylvania University, Louisville, KY
Photographic Synthesis, California College of Arts and Crafts, Oakland, CA

1969
Affect/Effect, La Jolla Museum of Art, La Jolla
, CA
The Film and Modern Art, Municipal Art Gallery, Barnsdall Park, Los Angeles, CA
The Manipulated Image, Lee Hall Gallery, Clemson University, Clemson, SC
Materials as Media, Live from Chicago Gallery, Chicago, IL
Nineteenth- and Twentieth-Century Photographs, Nelson-Atkins Museum of Art, Kansas City, KS
Photographs by Curran, Brown, Fichter, Heinecken, and Sievers, Sunset Canyon Recreation Center, University of California, Los Angeles
, CA
Recent Acquisitions, Pasadena Museum of Art, Pasadena, CA
Rhode Island Festival of the Arts, Providence
, RI
Serial/Modular Imagery, Purdue University Fine Arts Gallery, Lafayette
, IN
USA in Your Heart, San Francisco Art Institute, San Francisco, CA

Vision and Expression, George Eastman House, Rochester, NY


1968
Camera Work Southwest, Camera Work Gallery, Costa Mesa, CA
Contemporary Photographs 1968, Art Galleries at the University of California, Los Angeles, CA
Personal Images by 21 Photographers, N.W. Ayer Inc. Gallery, Philadelphia, PA
Photographic Imagery – 1968, San Diego State College Gallery of Art, San Diego, CA
Photography as Printmaking, Museum of Modern Art, New York

1967
Contemporary Photography Since 1950, George Eastman House, Rochester, NY
The Persistence of Vision, George Eastman House, Rochester
, NY
Photography for Collectors, Museum of Modern Art, New York, NY
Photography USA – 1967, De Cordova Museum and Sculpture Park, Lincoln, MA
Projected Art, Finch College Museum, Contemporary Wing, New York, NY

1966
American Photography: The Sixties, Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, NE
Professors of Photography, University of Oregon Museum of Art, Eugene, OR

SELECTED CURRENT PRESS

Statzer, Mary, The Photographic Object 1970, Oakland: University of California Press, 2016. Print
Foran, Jack. "A Cold Heinecken," ArtVoice, March 12, 2015
Sundt, Colin. "Photo Presence, Video Fantasy: The Life and Work of Robert Heinecken." Artcritical. October 20, 2014 (online).
Indrisek, Scott. “Robert Heineken,” Modern Painters, June, 2014, pp.81-82.
Woodward, Richard B. “From Outlier to Prophet,” The Wall Street Journal, May 21, 2014, p. D5.
Tarmy, James. “MoMA Hands You a Heinecken and Says the Medium Isn’t the Message”, Bloomberg, March 12, 2014 (online).
Ramsen, Nick. "Opposite Attracts", VOGUE, March 2014, p.466.
Griffin, Jonathan. “Spotlight: Robert Heinecken,” frieze (January/February 2014), pp. 35-35.
Finkel, Jori. “An Artist Whose Medium Really Is the Message.” The New York Times, November 2, 2013, p. C1, C5.
Stromberg, Matt. “Robert Heinecken at Cherry and Martin.” Daily Serving, October 15, 2013 (online).
Kushner, Rachel. “The Flametrowers,” The Paris Review, Winter 2012, no 203, p. 208.
Kennedy, Randy. “Leaving Polarization at the Door”, The New York Times, September 2012 (online).
Yablonsky, Linda. "Artifacts | Robert Heinecken's 'Copywork,'" The New York Times Magazine, December 16, 2011.
Maine, Stephen. "Robert Heinecken," Art in America, February 1, 2012.
Drohojowska-Philp, Hunter. "Wallace Berman and Robert Heinecken: L.A. Postmodernism: Speaking in Tongues," Artnet.com, December 2011.
Doran, Anne. "Review: Robert Heinecken, "'Copywork,'" Time Out New York, December 7, 2011.
Viveros-Faune, Christian. "Robert Heinecken: The Anti Ad Man," The Village Voice, December 7, 2011.
"Goings On About Town: Robert Heinecken," The New Yorker, December 2011.
Holte, Michael Ned. "REVIEWS: Photography into Sculpture," Artforum, December 2011, p. 264-264.
Smith, Roberta. Excerpt from "A New Pin On the Art Map: The Sprawling Exhibitions of 'Pacific Standard Time' Show California's Abundance," New York Times, November 13, 2011, p. AR 1, 22-23.
Ollman, Leah. "Now picture it again," Los Angeles Times, September 16, 2011, p. D23.
While, Chris. "Photography into Sculpture," Critic's Picks, Artforum.com, October 6, 2011.
Drohojowska-Philp, Hunter. Excerpt from "L.A. Confidential: Pacific Standard Time in Los Angeles Galleries," Artnet.com, October 2011.
Kilston, Lyra. “Robert Heinecken: Object Matter,” Art Review, May 2011, p. 127.